7 February 2020 – 14 June 2020 – Cornell University, Johnson Museum of Art
This exhibition introduces viewers to the work of Lai Fong, arguably the most ambitious and successful photographer of nineteenth-century China. Lai established his studio in Hong Kong around 1870, and over the next twenty years built a towering reputation on his illustrious clientele, impressive product range, and a catalogue of views of his rapidly changing country “larger, choicer, and more complete . . . than any other in the Empire.” Managed by his son and daughter-in-law after his death, his studio persisted into the 1940s, an instance of remarkable longevity in a famously difficult field.
A concurrent exhibition, Lai Fong and Thomas Child: Photographs of Late Qing Dynasty Chinese Street Life, will be on view at Cornell’s Carl A. Kroch Library from February 7 to April 17, 2020.
Despite the historical fame of Lai’s studio and the reach of his photographs, which exist today in collections worldwide, Lai remains little known outside of specialist circles. His work is understudied and rarely exhibited, the result in part of a colonial view of photography’s history that has privileged Western travel photographers over indigenous practitioners. Lai Fong (ca. 1839–1890): Photographer of China is not only the first exhibition dedicated to Lai, but to any Chinese photographer working in the initial decades of photography’s global proliferation.
The exhibition brings together almost fifty images, many of which have never been previously published or exhibited, suggesting them as emblematic of one of the nineteenth century’s most significant, and significantly overlooked, photographic careers. They are drawn primarily from the singular collection of Stephan Loewentheil, JD ’75, who over three decades has assembled one of the world’s foremost collections of early photographs of China. Other lenders to the exhibition include the Cornell Library’s Division of Rare and Manuscript Collections, the Metropolitan Museum of Art, and the Getty Research Institute.
This exhibition was curated by Kate Addleman-Frankel, the Gary and Ellen Davis Curator of Photography at the Johnson, and Stacey Lambrow, curator of the Loewentheil Photography of China Collection, with the assistance of Yuhua Ding, curatorial assistant for Asian art at the Johnson. It is supported in part by the Helen and Robert J. Appel Exhibition Endowment.